GLAAD finds movies lag behind TV in LGBT roles
(it’s
good to know I live in a country where this is even possible, although I
must now wonder, will Paranorman be banned in Russia? Will it cease to
exist in Iran?)
JOCELYN NOVECK, AP
NEW
YORK (AP) — We may be seeing more prominent gay and lesbian characters
on TV shows, but the movie industry lags well behind the small screen,
an advocacy group reports.
In
its first study of LGBT roles in major studio releases, GLAAD found
that compared with TV, where there has been a significant shift over the
past decade, "Major studios appear reluctant
to include LGBT characters in significant roles or franchises."
In its report released Wednesday,
GLAAD, formerly known as the Gay & Lesbian Alliance Against
Defamation, found that of 101 releases from Hollywood's six major
studios in 2012, just 14
included characters identified as lesbian, gay, or bisexual. Most were
no more than cameos or minor roles, it said — and none of the films
tracked had transgender characters.
"Until
LGBT characters appear more regularly in these studio films, there will
be the appearance of bias," said Wilson Cruz, GLAAD's national
spokesperson, in an interview. He added that
his organization will be meeting with studio executives to discuss the
findings.
There
were some bright spots in 2012, and some more ambiguous ones, the group
said. For example, "Skyfall," the hugely successful installment of the
James Bond franchise, featured a main
villain, played by Javier Bardem, who was apparently bisexual.
"It
was great to see an LGBT character in such a significant role," said
Matt Kane, associate director of entertainment media at GLAAD, also in
an interview. "But unfortunately the character
was also devious, psychotic, and untrustworthy — it fell into that
trap."
As
genre films like comic book adaptations consume much of the studios'
capital and promotional efforts, the report says, such films have a
striking lack of LGBT characters. In "The Avengers,"
it notes, there is a gay news anchor, but his appearance is "so brief
it was likely missed by many viewers."
The
report — called the 2013 Studio Responsibility Index — rates each of
the six studios according to the LGBT-inclusive films they released.
Faring worst: 20th Century Fox and Disney,
which each receive "failing" grades; the other four — Paramount, Sony,
Universal and Warner Bros. — receive grades of "adequate." But Universal
fared best, with four of its 16 releases considered LGBT-inclusive.
Studios had no comment on the study as of Wednesday afternoon.
As
part of its index, GLAAD also developed criteria to measure the quality
of the LGBT roles. They included: whether a character was identifiably
LGBT; whether it was not solely or predominantly
defined by its sexual orientation or gender identity; and whether it
was tied into the plot in such a way that its removal would have a
significant effect.
One
of the best examples of an LGBT-inclusive film in 2012, according to
GLAAD, was, interestingly, an animated family film: "ParaNorman," about a
misunderstood boy who can communicate
with the ghosts of dead people.
In
the film, which came from the Portland-based studio LAIKA, Norman's
cheerleader sister asks the hunky football hero Mitch for a movie date.
He casually makes a reference to his boyfriend.
The
film's writer and co-director, Chris Butler, said the filmmakers, while
determined to include the scene, had worried that it could cost them a
PG rating and get them a PG-13 instead,
which would have been inappropriate for the movie. In the end, they got
their PG rating.
Butler
said he was disappointed with some negative commentary about the scene —
including one viewer's online review that praised the film for its
anti-bullying message of inclusion —
but said it ruined matters by making a character gay.
"I
was surprised at all the fuss," Butler said. "But on the flip side was
the positive reaction." The movie was the first animated film nominated
for a GLAAD award.
As
a filmmaker, Butler said he was not optimistic that there would be an
inevitable wave of more onscreen LGBT characters as time goes on and
society changes, as on TV.
"It's
a mistake to assume it's inevitable," he said. "The only way to make
change is to do something about it. It takes hard work."
"We are moving in the right direction," Butler said. "But not nearly quick enough. It's not enough."
Kane, at GLAAD, said the new report would help reinforce its longtime claims that Hollywood studios need to do more.
"Over
the years we have met with studios, and it's always a point we make,"
Kane said. "Now, we have the numbers to take to them."
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